iggy pop for san francisco bay guardian

Keep it raw

Does the Godfather of Punk really need an introduction? It's Iggy Pop. He's been doing this — this meaning spitting out underground ethos in a signature growl and writhing shirtless — for nearly 50 years. With the untimely death of original Stooge guitarist Ron Asheton, Pop regrouped and tapped Raw Power-era player James Williamson to rejoin the band a couple of years back.

I spoke to Pop in Paris over the phone -- his current world tour was supposed to land in San Francisco on Sept. 12 and 13 [...]

glowing stars for san francisco bay guardian

Reprogramming the hardware

The Glowing Stars want you to make chiptune music, too.

Technology can be so existentially mystifying. One minute you're a kid in the back seat of your parents' car with thumbs aimed and eyes glued to the screen of your modern handheld gaming console, the next you're on stage with blinding lights and an audience, smashing into a modified old-school Gameboy on a snare drum. One second you're doubled over in bed with the stomach flu, the next you're in a box on Google+, simultaneously interviewing two band members from their respective Bay Area cities [...]

kreayshawn for san francisco bay guardian

Kreayshawn gets some lady love at Slim's

It was just fine, really. Oakland-bred rapper Kreayshawn's big, sold-out show at Slim's last night was amusing, mildly enjoyable, and packed with good people watching. Rapping over prerecorded beats, elfin Kreayshawn and her Chipmunks White Girl Mob (V-Nasty and Lil Debbie) ran through what I suspect is the gamut of their songs in a brief, hyper set [...]

il gato cover story for san francisco bay guardian

Bravo, il gato

FALL ARTS PREVIEW: The baroque San Francisco band is about to have its best season yet

The clouds hang over San Francisco like a brumous, early evening warning sign. It's late summer on the back patio of popular Mission street bar El Rio. Small pockets of people huddle near outdoor heaters, and vintage pop songs come pumping through the speakers. Three men dressed neatly in sweaters and hoodies sit at a long picnic table clutching cheap beers.

This is the story of il gato, a San Francisco band that describes itself as indie-baroque-folk. Its music is baroque in the sense that it's melancholic yet upbeat, lyric-heavy yet leans towards the classical, and highly decorated with a wide array of instrumentation. The band's 2010 long-player, All These Slippery Things (self-released), and similarly-named followup EP All Those Slippery Things (released last month) feature banjo, mandolin, piano, a string quartet, and trumpets, along with aggressive acoustic folk guitar, looping pedal, upright and electric bass, and complex drumming [...]