creole choir of cuba for san francisco bay guardian

Strength of song

The Creole Choir of Cuba — and other global music acts — hit SF

In Cuba, there is just one group that specializes in traditional Haitian songs — the Creole Choir of Cuba. "Some of the songs in our repertoire are those we learned from our parents or grandparents, others we learned during the many visits we have made to Haiti," says choir director Emilia Diaz Chavez, through translator Kelso Riddell.

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Big Harp on writing lyrics, Saddle Creek, and touring with kids

I listened to Big Harp's debut album, White Hat, without any preconceived notions, and fell in drippy, folky, love. I fell into the slight country twang and gentle plucking of baritone singer-guitarist Chris Senseney, and the sweet backing vocals of bassist Stefanie Drootin-Senseney [...]

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The last hurrah

It's time to say goodbye to Budget Rock

On the final day of Budget Rock 10, the endmost moment of the Budget Rock showcase itself, there will be pancakes and local '80s surf-punk band the Phantom Surfers. Likely a few tear stained cheeks as well [...]

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Battle hymns
The War on Drugs' Adam Granduciel keeps his finger on America's pulse

On the winding beach roads of Central California, in the cool coastal stillness of midnight, I remembered what the music hive mind spewed forth when it came to recently released record (and previous albums) from Philadelphia's the War on Drugs: road trip music [...]

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Island time

From Angolan kuduro and gauzy psychedelia to local garage punk and silent disco: It'll be a packed weekend of Treasure Island Music Festival's chords and beats

Now in its fifth year, the Treasure Island Festival maintains a mystifying balance: it's both big enough to attract larger acts (Death Cab for Cutie, Empire of the Sun), and small enough to make the event feel intimate (with eyes closed, it's you alone dancing in the Silent Disco). There are rarely timing issues, one act stops, another begins. Precision and organization enrich a festival, whodathunk [...]

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Mystic wanderings

Gardens & Villa navigates the road often traveled

Hermann Hesse's 1930 novel Narcissus and Goldmund is, more or less, the story of man who wanders Medieval Germany after leaving the monastery in search of the meaning of life. He finds organic pleasures like art and the empowering touch of beautiful women. Eventually given the choice of joining an artists guild, he bows out, instead favoring the freedom of the road less traveled [...]

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Lovefoxxx makes SF love her at the Fillmore

By the end of last night at the Fillmore, CSS's dynamic lead vocalist-party rioter Lovefoxxx was stripped down to a black tank top and ripped up jean shorts over fishnets, her raccoon eye makeup smeared across her face, fluffed pink hair electrified out of its sockets [...]

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Feminist dance pop: Q&A with MEN's JD Samson
Just as she did with Le Tigre, JD Samson blurs the lines between feminist theory and modern pop music with her most recent musical endeavor, MEN. The experimental art-pop band, which began in 2007, is a collective with fellow Le Tigren Johanna Fateman – among others – that's as subversive as it is danceable [...]

beirut for san francisco bay guardian

The instruments of my life: Q&A with Beirut's Zach Condon

Zach Condon, the pied piper of Beirut, is known for a great many things – his quavering voice and heart-tugging music (watch the new video for “Santa Fe” and try not to weep, I dare you), the global journeys on which he embarked to gain such a worldly sound, and, perhaps above all else, his skilled takes on an array of string and horn instruments. He employs their use to enable listeners an audio-vacation: the far corners of Eastern Europe and the Balkans, to the chateaus of French chansons, to his mariachi-filled hometown of Santa Fe, New Mexico [...]

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Chamber hip-hop opera 'Great Integration' returns with a second act

Perhaps you've seen the billboard on your daily Bay Bridge commute: simple white background, a hand with two fingers pressed together, and in bold type, the words Great Integration: A Chamber Hip-Hop Opera [...]

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Legends of the underground

Gehenna's Mike Apocalypse doesn't care what you think

"There are people like us who decide we no longer want to deal with what is fed to us through commercial forces," says infamous hardcore singer Mike Apocalypse, "We strive to create new things — if I couldn't create new music, I would fall apart in a month's time." [...]

iggy pop for san francisco bay guardian

Keep it raw

Does the Godfather of Punk really need an introduction? It's Iggy Pop. He's been doing this — this meaning spitting out underground ethos in a signature growl and writhing shirtless — for nearly 50 years. With the untimely death of original Stooge guitarist Ron Asheton, Pop regrouped and tapped Raw Power-era player James Williamson to rejoin the band a couple of years back.

I spoke to Pop in Paris over the phone -- his current world tour was supposed to land in San Francisco on Sept. 12 and 13 [...]

glowing stars for san francisco bay guardian

Reprogramming the hardware

The Glowing Stars want you to make chiptune music, too.

Technology can be so existentially mystifying. One minute you're a kid in the back seat of your parents' car with thumbs aimed and eyes glued to the screen of your modern handheld gaming console, the next you're on stage with blinding lights and an audience, smashing into a modified old-school Gameboy on a snare drum. One second you're doubled over in bed with the stomach flu, the next you're in a box on Google+, simultaneously interviewing two band members from their respective Bay Area cities [...]

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Kreayshawn gets some lady love at Slim's

It was just fine, really. Oakland-bred rapper Kreayshawn's big, sold-out show at Slim's last night was amusing, mildly enjoyable, and packed with good people watching. Rapping over prerecorded beats, elfin Kreayshawn and her Chipmunks White Girl Mob (V-Nasty and Lil Debbie) ran through what I suspect is the gamut of their songs in a brief, hyper set [...]

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Bravo, il gato

FALL ARTS PREVIEW: The baroque San Francisco band is about to have its best season yet

The clouds hang over San Francisco like a brumous, early evening warning sign. It's late summer on the back patio of popular Mission street bar El Rio. Small pockets of people huddle near outdoor heaters, and vintage pop songs come pumping through the speakers. Three men dressed neatly in sweaters and hoodies sit at a long picnic table clutching cheap beers.

This is the story of il gato, a San Francisco band that describes itself as indie-baroque-folk. Its music is baroque in the sense that it's melancholic yet upbeat, lyric-heavy yet leans towards the classical, and highly decorated with a wide array of instrumentation. The band's 2010 long-player, All These Slippery Things (self-released), and similarly-named followup EP All Those Slippery Things (released last month) feature banjo, mandolin, piano, a string quartet, and trumpets, along with aggressive acoustic folk guitar, looping pedal, upright and electric bass, and complex drumming [...]